Hi,
is it possible to create ties over repeat bars (like on this screenshot)?
normally it works pushing the āSā -key
but that doesnāt make sence.
Donāt think itās possible without a workaround.
This might help:
and just adjust position of the slur/tie at the end of your 1st time bar
if you mean a Tie from bar 1 to bar 3, than move the f in bar number two
(the first repeat-ending) up or down, dann push the T key.
after that, you can move the F in bar number two back again,
and make again a Tie from bar 1.
Thatās my workaround without Lasisser-vibrer and you donāt hear the tone twice.
Thank you,
with your tip, I managed to do this even if it takes a little time.
Besides, Iām not sure that in musical notation, the first tie (on the first C) is necessary.
Do you know the rules in this case?
Iām not sure that I understand you completely.
To be honest, if your image shows the very beginning of the piece, I wouldnāt be using repeats. Iād just write the four bars out completely and save the hassle!
Perhaps you are required to have it as you do for a reason, though? In this case, Iām not sure sorry. Although I will say, the ātieā on beat four of the first time bar looks like a slur and not a tie. Maybe another l.v. would look better?
Please donāt call this a āslurā. It is a tie. They have completely different functions.
Regarding this ā¦
(Can someone edit the thread title? Iāve lost my Trust Level 3 for some reason.)
As a tie, it should not be angled, even when split across a system break or repeat structure. The two halves should both be horizontal, otherwise (as said above) it looks like a slur. The tie into the 2nd ending is better.
The tie out of the 1st ending is necessary, but if it is going back to the beginning, then the tie at the very beginning should be in parentheses.
Thank you for this precision, excuse me, my English is very bad.
In French ātieā or āslurā is the same word : āliaisonā
Yes itās true in classical music we donāt use repeat bar at the beginning but in Jazz itās often the case, however, Iām not sure that the tie is necessary at the beginning.
We need to distinguish āliaison de phrasĆ©ā (slur) and āliaison de prolongationā (tie). I find this lack of precision problematic in our beloved French languageā¦
I believe the mini, uncompleted tie on a final note of a repeated section isnāt optional in standard notation and should be as easy to place (without work-around) as any other tie.
Furthermore, there should be a way to effect a continuation of the tie-sustain for playback, as otherwise a jarring silence occurs, which isnāt pretty, and I KNOW Dorico is all about āprettyā
I hope this is an issue that will be addressed in an upcoming update.
Still looking for that simple mini-tie across repeats as well as a playback solution. Any progress on this?
Much appreciated.
Perhaps an audio example would help:
Wrong #.dorico.zip (1.1 MB)
The feature request is well understood by the Team, and this has been requested many times over the years. If it had been done we certainly would have heard about it, at least in the Version History (though such an improvement would probably warrant trumpeting in the blog as well).
I would even learn the trumpet just so I could trumpet this feature to all.
I canāt wait to hear Anthony Hughesā (@Anthony_at_Steinberg) dulcet tone announcing ⦠āAnd another new feature of Dorico 5.xxx is the long-awaited ability to tie notes and chords over repeat bars, which will now also play back correctly. Iām sure that our friends on the Jazz side of the house will be particularly excited so see this improvement.ā
To accomplish this, select the note and click the āLiassez vibrer tieā button in properties.
Yes, but the tie can only be on the right but not on the left, for this you have to create a symbol !
Actually, the l.v. tie can be adjusted in Engrave Mode. This is the standard workaround we all use until such time as thereās a native solution. You can probably find some good threads on it with a search of the forum to see some visual examples.
In Engrave Mode, you can move the handles (points of the Bezier curve) of an l.v. tie to change its shape and location.
Youāll notice dragging the RH endpoint to the left also flips the curve for some reason, youāll have to adjust that.
I generally grab the left handle and move it with the left arrow key, counting the number of keypresses as I go. I then select the right handle and move it the same number of keypresses.