Greetings all,
I feel I’m missing something simple here, but I am doing a copy job and it has a whole note tremolo in the timpani that over the whole note, not in specific time, has the note gliss from f# to a and back. I can’t figure out how to do this in Dorico, but feel I’m searching on the wrong words. Anyone have any ideas or suggestions? I hope the attachment works, I haven’t had to do attachments in the past, but feel that this would help quite a bit.
it’s also possible to enter the A in a different voice and then use (straigtened/modified) slurs as gliss lines. (since gliss’es don’t work between voices…)
Thanks to both of you. I’ll try them both. Here’s another image that gives a bit more reference. The timpani is really meant to be not in time with everything thing else, which is another part of the problem. I would re-notate, but the composer died some time ago and I can consult with him, so I’m trying to stick as close to original notation as I can.
That’s still no problem. If you want pitches to align exactly as they appear in the score, use open meter… and in the first bar, make the tuplet be quartet note 5:1, and only include the whole note and the quarter. Then add the next whole note separately, as a 4:3 quarter note tuplet.
Dan,
I’m missing a setting somewhere and I don’t know where. I followed your instructions and have mostly got it. The problem I have now is that the tuplets are showing the whole notes as dotted quarter tied to quarter, and I can’t seem to find a setting to change it to whole note. Any ideas? Thanks in advance.
Dan,
Thanks for the help. I misinterpreted one of the instructions. Got it, for now. May change it later if I can figure out how to float meters, but I need to push forward now! Very grateful.