One of the greatest advantages of one of the major products is that you can write a Y amount of notes instead of the given X amount.
Although it doesn’t match the common understanding in musical notation at all it is quite well documented in a lot of scores from 19th century until today.
Beside cadences there is one Master Piece that comes to my mind (Czerny op. 153) where 17 16th notes are placed over a quarter note.
How will Dorico deal with those “old and modern in one” situation?