@bluekayak88, there are obviously a number of factors that go into one’s choice of a digital piano if a higher-quality (physical) playing experience is important.
Three years ago I was in the market to upgrade my digital piano. I spent a lot of time reading and comparing reviews at retail and “gear”-focused sites as well as the Piano World forum to get my search started by learning the right questions to ask and seeing where others’ preferences clustered statistically and why.
Before you jump in and order something from Amazon, I’d strongly suggest you spend some time researching, considering, and narrowing down to a short list, then arranging if you can for one car trip to a store where you could directly compare your finalists.
If that last part simply can’t work in your circumstances and you need to go the “big-box” online retailer route, then I’d recommend you at least consider a music-dedicated online retailer like Sweetwater over Amazon. The reviews are much more useful/real than the Amazon Randomness, and they offer tech support.
Here are some of my thoughts, experiences, and a few links:
The most basic criteria for finding a digital piano with a good playing feel include:
- action / “feel”
- sound(s), including whether or not it has built-in amp/speakers; “polyphony” (how well it handles sounding multiple notes, basically)
- pedal(s) — 1 or all 3 (including true sostenuto?); free-floating or “proper” fixed pedal assembly
- stability of stand
- fixed or adjustable height of stand/keyboard action
- physical footprint in room
- budget
- (If ever using live on stage: lock-panel feature; I once hit a button under the bright sun at a festival performance with an Afro-Latin ensemble and found myself playing the “harpsichord” in the middle of a tune!)
For use as note-entry into a computer, add:
- dimensions vis-à-vis computer workstation, relative placement, ergonomics, etc.
- MIDI OUT is no doubt universal; do you also want MIDI IN so that Dorico could trigger your digital piano on playback?
The proverbial “bells and whistles” (which take the keyboard into the realm of “workstation”) — not important for me, as I’m using notation software and/or a DAW) include at least:
- multi-instrument internal sound banks
- memory of user-customized sounds
- multi-instrument layering
- internal sequencer
- format(s) for recording/sharing performances (audio? MIDI?)
- Aux/mic audio inputs
When I was in the market to upgrade, I knew that for me the action was the primary consideration, followed by having a fixed full 3-pedal assembly (with sostenuto) and solid stand. I did also want built-in amp/speakers with at least good sound for those times when I just want to play the thing, and loud enough that I could have another musician in my studio and I could be heard well.
I spent a lot of time reading and comparing reviews at retail and “gear”-focused sites as well as the Piano World forum:
https://www.pianobuyer.com/digital-pianos
Digital Piano Key Actions - 2024 REPORT | Which Ones Are Best?
https://www.sweetwater.com/insync/?s=digital+pianos
Digital Pianos - Electronic Pianos - Synths & Keyboards - Piano World Piano & Digital Piano Forums
From that reading I decided to focus on Roland instruments with their PHA-50 action and Kawai’s RH-III action. (Remember: each manufacturer has different quality-levels of action, each of which they use in multiple instruments across their product line.)
I was shopping in the height of pandemic-lockdown, not long after the first vaccines had come out and were starting to gain traction in the local populace. But even under those circumstances I was fortunate to be able to call ahead to a very reputable piano dealer an hour’s drive (each way) to schedule an appointment when several models with each action were in stock to be auditioned. A few hours later my choice became clear (Roland PHA-50, as it happens, housed in the at-that-time quite new FP-90X (improved amp/speakers and modeled sound quality over the FP-90)).
I hope this is helpful!