Cubase comes with some pretty neat plugins and I wholeheartedly congratulate Steiny on them…
I have been a Cubase user since v1.0 Atari; during that time there have been some absolute gems…one of the being the multiband compressor (old one) where you could draw the transfer curve…its was seriously one of the best ever…once you learnt it. eg you could do upward compression with a user curve, or upward compression at threshold and compression or even upward expansion…there was not limit and its immediate and fluid feedback beat Squasher hands down.
AND therein lays the problem…in a professional music environment…you dedicate time and knowledge to know your tools well. In fact it takes a LOT of time to really know it and not just be a tweaker.
This was the case…but then it was removed from the program; no recourse, I simply cannot use one of my favourite tools any longer!
This has burnt me…so even though they are some of the best tools…I will not risk that vulnerability again and so it goes with the rest of some of the great fx. Its far easier to invest in eg Unfiltered Audio Triad and learn that than risk the stock…which I also cant use in any other host and I use Live as the entry point often for my own compositions…this lack of portability is a real issue and doesnt coerce me to use it, it forces me not to use them.
Sidenote: Why cant the plugs just use the elicenser as in the other plugins? This would value add right? Same as the ur plugins eg Revx
An example is waves C1 which I first started using…wow early 2000s, I cant still easily go back to that very familiar interface and use it…not the Steinberg compressor. Why is that? Because you can do neat stuff like negative compression etc and I can still use it after 20 years. Just because its software doesnt meant that hardware rules shouldnt apply…we are still straining for the familiarity of an 1176, right?? Muscle memory is important as it lets you focus and that is an underlying psychology that is either ignored or misunderstood.
Cheers