Cubase 15 Wishlist

[RikkShow]

OMG! I just realized.
*STICKY NOTES!
Imagine having that, you write your notes, and when you come back a few days later, your list of To Do’s or whatever is right in front of you.

[wavefunktion]

Cubase already has a notepad located in the Inspector view.

However I use a 3rd party VST named CodeFN42 VSTNotepad. Another honourable mention is Melda Production MNotepad.

[csurieux]

MASTER LIST

Please copy the list and add your feature requests at the bottom.

New Features

1. Sandbox plugins to prevent crashes.
2. Option to place the cursor on clicked point on event.
3. Option to choose all algorithms for VariAudio.
4. Audio interface attached to project, not to Cubase itself.
5. Save and restore ALL audio connections with one click
6. Set meters as VU meters (Logic)
7. Clip launcher
8. Support for CLAP (plugin format)
9. Automate last touched parameter.
10. Lyric track.
11. Global display zoom (similar to Ableton).
12. Minimize the risk of user preferences getting corrupted
13. Update expression maps
14. Rewrite VCA faders to have them function like proper VCA (and without bugs)
15. Implement an optional scroll lock on the upper track list when the track list is divided
16. Do not automatically add newly created channels to existing channel visibility configurations
17. Introduce a selection mem/zap (similar to zoom mem/zap) that stores and recalls selected tracks/channels/parts/events
18. Reconsider the graphical design of the mix console
19. Unlimited inserts and sends
20. Channel EQ with 8 filters.
21. Gate plugin with threshold lower than 60dB (synths have noise below that and its nice to hear full reverb tail).
22. Modulators controls to module other modulators.
23. Plugin Chainer: Merge effects. (eg. Merge synths or effects like Waves StudioVerse)
24. Folder/ Group track merged into one.
25. Expression Maps overhaul. (including per articulation negative track delay).
26. Add expression map controls in the Logical Editor.
27. Digital Performer Chunks for larger film scoring projects.
28. Further/advanced Dorico Integration.
29. Muted events with a darker shade of the current color rather than white.
30. Combine multiple instruments into one rack and one midi and to have modulators control any parameter of any synth instrument in that rack.
31. Multiband splits and parallel splits.
32. Always on top.
33. VU meter on tracks (similar to 10)
34. Nameable CCs
35. Option to disable Video Engine “enhancements”.
36. Left-click the title bar of the inspector for drop down color menu rather than Alt-Click.
37. Remove default automation parameters and have users choose their own.
38. Preset list: Select preset using up and down arrow keys
39. Using Tab to select the next instrument in the instrument list (Can apply to other dropdown items as well).
40. Multi-sequences each with independent tempo, time sig and video track, housed under one project file, like Digital Performer’s ‘Chunks’ feature.
41. Fixed height for folder tracks
42. Ableton style plugin containers with routing options for Parallel/multiband processing on one track.
43. Pitch automation for audio clips.
44. Have an undo function for VST instruments.
45. Global undo/redo controls (not separate for mix console).
46. Add global modulators that can control parameters on different tracks.
47. Implement modulation assignment similar to Bitwig, where you can drag up or down to simultaneously set the modulation amount.
48. Make the modulation amount easier to control instead of a tiny bar.
49. Make ‘hide all automation’ behave the same as ‘hide automation’ but for all tracks, instead of reseting all automation visibility when reopened
50. Allow volume automation to ‘detach’ from fader, without having to automate a separate volume plugin
51. Always show parameter values, not just on hover.
52. Allow sample track to export slices to drum machine track.
53. Have automatic tail detection for bounces and Offline Processing, that extend the bounce range automatically.
54. Tightly integrated Hardware Midi Controller.
55. Full and proper Ripple Edit
56. Gain Reduction meters in Channel meters
57. Plugin Renaming (Similar to Studio One)
58. Missing plugins can be highlighted with a different color
59. Addition of a MIDI input transformer on every control in MIDI remote.
60. Addition of controller conditions (if mixer open and full screen, the midi remote controller activate the mixing page. If this instrument open, the controller reacts this way, control these parameters)
61. Double-click on volume faders/parameters to do something, input a valor, or reset to 0.
62. VST 2 Support
63. Negative articulation delay (Mentioned in 26)
64. Ability to control a modulator with CC sent from controller keyboard, fader, or knob.
65. Load plugins with a shortcut
66. Optional: Tabbed window for plugins on a channel, like in Studio One. (A tab that displays all insert plugins over the opened plugin, with which you can then open the plugins over it without having to go into the mixer and the new plugin opens in the same window. So you only have one plugin window open at a time)
67. Saving the modulators also includes the connection with the plugins
68. Imrproved Chord pads

• Editing of the notes, manually. Now you cannot double the root reliably, and often the arrow buttons for inversions limit what you can do.
• AI suggestion of progressions and alternative chords. Different genres. Adding a transition chord. Add pre-chorus and add bridge progression.
• Drag and drop of midi to pads to add chords. From desktop or from inside Cubase.
• Performance per pad. Ie add riffs, arps, or strums to the pads, on a per pad basis. Also to have a note scatter and complexity function sliders for the performance
• Add/import chords from Chordpad preset, while keeping what you already have, including preview before adding.

69. Audio rate modulator.
70. Share modulator on multiple channels.
71. Midi Modulator.
72. A pattern editor suitable for melody (8 lane, live record per lane, with euclidean, random, glide, accent, pitch, velocity).
73. Song unmix on Spectralayers Go.
74. Efx containers.
75. Flatter GUI, simple and modern.
76. Full screen mode (Similar to Studio One).
77. Increase the number of MIDI sends.
78. MIDI Sends on instrument tracks.
79. Rack Instrument modulation.
80. Option to max out the control room level to 0.
81. Ability to drag lowerzone all the way to the top.
82. Ability to zoom or go full screen for the drum machine.
83. Send drum machine samples to Groove agent using a button (similar to sampler track).
84. Easy export button of Drum Machne sounds sampled and sythesized.
85. Generative features of Pattern editor present in Key editor.
86. Ability to switch pattern editor to non percussion mode and randomized follow suit.
87. Ability to choose scale in Pattern editor within a Melody or musical pattern mode.
88. If 16 or 32 steps are selected, the pattern editor splits into halves for easier editing (like in Logic).
89. Ability to move sounds lanes within the pattern editor.
90. Size of pattern editor to follow the size of the lower zone.
91. Modulator matrix to be either in a straight line or within a square format
92. Modulators when opened in a larger editor take up the whole screen same as pattern editor and Drum machine.
93. A simple “collect all” option that pulls all audio into one folder with the project file after the initial save, without asking for a project name upfront.
94. Cubase shouldn’t force a new project directory if you’re just testing or listening to an audio file without planning to keep it.
95. Midi remote Support for mixing consoles such as Midas M32, Behringer X32, Allen & Heath, etc etc.
96. Bold text checkbox for track names
97. Add automation lanes for multiple selections.
98. Gap-less audio Engine
99. Automatic gain staging integrated on each channel with option to set up gain like -18db rms or -18LUFS or -10 peak level.
100. Encode video using high compressed codecs.
101. Shuffle at an arbitrary speed (e.g. 0.5, 1.2, 1.5) with the corresponding acceleration or deceleration of the video.
102. The focus of the upper zone remains on the events of the upper zone when copying events to the lower zone.
103. Hot keys for calling ARA plugins
104. More convenient management of presets in Direct Offline Processing
105. Ability to quickly call the last used plugin in Direct Offline Processing
106. Add align (snap) only to the active track marker
107. More key modifiers in Editing-tool modifiers.
108. Lower zone: Option to change order of tabs (mixer, editor, drum machine)
109. Improved insert bypassing: Use mouse modifiers on insert slots, e.g. shift-Click for bypass plugin, Str-Click for disable plugin.
110. New Automation Track Functions
111. Comments and user tags (or taxonomies) for each project we could use to filter projects in the hub.
112. Maintain links for hierarchy in each project (i.e. this project is a backup from, this project is a new version of, etc.) AND display corresponding trees of the various hierarchies
113. Cubase instruments (HALION, PADSHOP, RETROLOGUE, GROOVE AGENT, BACKBONE, ETC.)+ their presets should handle Native Instruments NKS and provide NKS libs.
114. Cubase Media library should be extended to read and play NKS libs.

• Reverse, mirror, invert.

---

Fixes

1. Fix problems in Direct Offline Processing like not always generating a tail
2. Fix the Dialogue tabbing misbehavior
3. Fix flatten real time processing which mess up timing no matter the algorithm used.
4. Fix VCA channel losing its values upon reopening of project.
5. Fix the bugs in MIDI Remote
6. Fix batch flatten processing on multiple events which results in pops and whole parts broken.
7. GUI consistency across all menus. (media bay, media pool, preferences)
8. Legible text everywhere
9. Fix Scroll issues on Mac.
10. Fix Per note automation.
11. Fix clicks when cross-fade events with various stretch algorithms used.
12. Support for light GUI mode (respect OS settings for that like in Win 11)

[RikkShow]

I absolutely know about the hidden notes box. Never gets used. Just like in an office, people put sticky notes on their monitors for important stuff. Stuff you don’t really need as an important to do, you put away in a the folder or drawer, like the Cubase notepad. Totally different. I would probably even put a sticky in my template for some of the stuff you need to do sometimes, that are complex and hard to remember.

[JoeShepherd]

SUMMING FOLDERS!!! Please

[izak]

MASTER LIST

Please copy the list and add your feature requests at the bottom.

New Features

1. Sandbox plugins to prevent crashes.

2. Option to place the cursor on clicked point on event.

3. Option to choose all algorithms for VariAudio.

4. Audio interface attached to project, not to Cubase itself.

5. Save and restore ALL audio connections with one click

6. Set meters as VU meters (Logic)

7. Clip launcher

8. Support for CLAP (plugin format)

9. Automate last touched parameter.

10. Lyric track.

11. Global display zoom (similar to Ableton).

12. Minimize the risk of user preferences getting corrupted

13. Update expression maps

14. Rewrite VCA faders to have them function like proper VCA (and without bugs)

15. Implement an optional scroll lock on the upper track list when the track list is divided

16. Do not automatically add newly created channels to existing channel visibility configurations

17. Introduce a selection mem/zap (similar to zoom mem/zap) that stores and recalls selected tracks/channels/parts/events

18. Reconsider the graphical design of the mix console

19. Unlimited inserts and sends

20. Channel EQ with 8 filters.

21. Gate plugin with threshold lower than 60dB (synths have noise below that and its nice to hear full reverb tail).

22. Modulators controls to module other modulators.

23. Plugin Chainer: Merge effects. (Eg. Merge synths or effects like Waves StudioVerse)

24. Folder/ Group track merged into one.

25. Expression Maps overhaul. (including per articulation negative track delay).

26. Add expression map controls in the Logical Editor.

27. Digital Performer Chunks for larger film scoring projects.

28. Further/advanced Dorico Integration.

29. Muted events with a darker shade of the current color rather than white.

30. Combine multiple instruments into one rack and one midi and to have modulators control any parameter of any synth instrument in that rack.

31. Multi-band splits and parallel splits.

32. Always on top.

33. VU meter on tracks (similar to 10)

34. Nameable CCs

35. Option to disable Video Engine “enhancements”.

36. Left-click the title bar of the inspector for drop down color menu rather than Alt-Click.

37. Remove default automation parameters and have users choose their own.

38. Preset list: Select preset using up and down arrow keys

39. Using Tab to select the next instrument in the instrument list (Can apply to other drop down items as well).

40. Multi-sequences each with independent tempo, time signature and video track, housed under one project file, like Digital Performer’s ‘Chunks’ feature.

41. Fixed height for folder tracks

42. Ableton style plugin containers with routing options for Parallel/multi band processing on one track.

43. Pitch automation for audio clips.

44. Have an undo function for VST instruments.

45. Global undo/redo controls (not separate for mix console).

46. Add global modulators that can control parameters on different tracks.

47. Implement modulation assignment similar to Bitwig, where you can drag up or down to simultaneously set the modulation amount.

48. Make the modulation amount easier to control instead of a tiny bar.

49. Make ‘hide all automation’ behave the same as ‘hide automation’ but for all tracks, instead of resetting all automation visibility when reopened

50. Allow volume automation to ‘detach’ from fader, without having to automate a separate volume plugin

51. Always show parameter values, not just on hover.

52. Allow sample track to export slices to drum machine track.

53. Have automatic tail detection for bounces and Offline Processing, that extend the bounce range automatically.

54. Tightly integrated Hardware Midi Controller.

55. Full and proper Ripple Edit

56. Gain Reduction meters in Channel meters

57. Plugin Renaming (Similar to Studio One)

58. Missing plugins can be highlighted with a different color

59. Addition of a MIDI input transformer on every control in MIDI remote.

60. Addition of controller conditions (if mixer open and full screen, the midi remote controller activate the mixing page. If this instrument open, the controller reacts this way, control these parameters)

61. Double-click on volume faders/parameters to do something, input a valor, or reset to 0.

62. VST 2 Support

63. Negative articulation delay (Mentioned in 26)

64. Ability to control a modulator with CC sent from controller keyboard, fader, or knob.

65. Load plugins with a shortcut

66. Optional: Tabbed window for plugins on a channel, like in Studio One. (A tab that displays all insert plugins over the opened plugin, with which you can then open the plugins over it without having to go into the mixer and the new plugin opens in the same window. So you only have one plugin window open at a time)

67. Saving the modulators also includes the connection with the plugins

68. Improved Chord pads

• Editing of the notes, manually. Now you cannot double the root reliably, and often the arrow buttons for inversions limit what you can do.

• AI suggestion of progressions and alternative chords. Different genres. Adding a transition chord. Add prechorus and add bridge progression.

• Drag and drop of midi to pads to add chords. From desktop or from inside Cubase.

• Performance per pad. I.e. add riffs, ARPs, or strums to the pads, on a per pad basis. Also to have a note scatter and complexity function sliders for the performance

• Add/import chords from Chord pad preset, while keeping what you already have, including preview before adding.

69. Audio rate modulator.

70. Share modulator on multiple channels.

71. Midi Modulator.

72. A pattern editor suitable for melody (8 lane, live record per lane, with euclidean, random, glide, accent, pitch, velocity).

73. Song unmix on Spectralayers Go.

74. Efx containers.

75. Flatter GUI, simple and modern.

76. Full screen mode (Similar to Studio One).

77. Increase the number of MIDI sends.

78. MIDI Sends on instrument tracks.

79. Rack Instrument modulation.

80. Option to max out the control room level to 0.

81. Ability to drag lower zone all the way to the top.

82. Ability to zoom or go full screen for the drum machine.

83. Send drum machine samples to Groove agent using a button (similar to sampler track).

84. Easy export button of Drum Machine sounds sampled and synthesized.

85. Generative features of Pattern editor present in Key editor.

86. Ability to switch pattern editor to non percussion mode and randomized follow suit.

87. Ability to choose scale in Pattern editor within a Melody or musical pattern mode.

88. If 16 or 32 steps are selected, the pattern editor splits into halves for easier editing (like in Logic).

89. Ability to move sounds lanes within the pattern editor.

90. Size of pattern editor to follow the size of the lower zone.

91. Modulator matrix to be either in a straight line or within a square format

92. Modulators when opened in a larger editor take up the whole screen same as pattern editor and Drum machine.

93. A simple “collect all” option that pulls all audio into one folder with the project file after the initial save, without asking for a project name upfront.

94. Cubase shouldn’t force a new project directory if you’re just testing or listening to an audio file without planning to keep it.

95. Midi remote Support for mixing consoles such as Midas M32, Behringer X32, Allen & Heath, etc etc.

96. Bold text checkbox for track names.

97. Add automation lanes for multiple selections.

98. Gap-less audio Engine.

99. Automatic gain staging integrated on each channel with option to set up gain like -18db rms or -18LUFS or -10 peak level.

100. Encode video using high compressed codecs.

101. Shuffle at an arbitrary speed (e.g. 0.5, 1.2, 1.5) with the corresponding acceleration or deceleration of the video.

102. The focus of the upper zone remains on the events of the upper zone when copying events to the lower zone.

103. Hot keys for calling ARA plugins.

104. More convenient management of presets in Direct Offline Processing.

105. Ability to quickly call the last used plugin in Direct Offline Processing.

106. Add align (snap) only to the active track marker

107. More key modifiers in Editing-tool modifiers.

108. Lower zone: Option to change order of tabs (mixer, editor, drum machine).

109. Improved insert bypassing: Use mouse modifiers on insert slots, e.g. shift-Click for bypass plugin, CTRL-Click for disable plugin.

110. New Automation Track Functions

• Reverse, mirror, invert.

111. Option to set video render quality.

112. Beat-detective equivalent in Cubase.

113. Poly-rhythmic Audio, MIDI and Instrument tracks (custom time signature per track or notation staff).

114. Option to open the instruments inside the Pattern Editor, like in Studio One.

115. Enhanced playing techniques (restrictive and custom expressions as in Dorico)

116. Playback Templates (faster switch between various existing Instrument Templates, without closing Cubase).

117. Flows (similar to Dorico).

118. Divisi - Independent Voice Playback.

119. More Dorico like features to the Cubase Score Editor.

120. Ability to view song BPM before importing.

121. Ability to distinguish between empty tracks and tracks with data.

122. Previewing a screenshot of project like in Logic.

123. Ability to save a project report consisting of song metadata and track lists, instrument list, audio pool, .etc.

124. Comments and user tags for filtering projects.

125. Maintaining project hierarchy. (i.e. this project is a backup from, this project is a new version of, etc).

126. Make Cubase instruments and media library compatible with Native Instruments NKS libraries.

127. Bigger inspector font size with an option to adjust the size.

128. Ability to select multiple parameters or automation.

129. Ability to control the behavior of the export menu target range. (option to set the range to what’s in the markers zone by default).

130. Sticky notes.

---

Fixes

1. Fix problems in Direct Offline Processing like not always generating a tail

2. Fix the Dialogue tabbing misbehavior

3. Fix flatten real time processing which mess up timing no matter the algorithm used.

4. Fix VCA channel losing its values upon reopening of project.

5. Fix the bugs in MIDI Remote

6. Fix batch flatten processing on multiple events which results in pops and whole parts broken.

7. GUI consistency across all menus. (media bay, media pool, preferences)

8. Legible text everywhere

9. Fix Scroll issues on Mac.

10. Fix Per note automation.

11. Fix clicks when cross-fade events with various stretch algorithms used.

12. Support for light GUI mode (respect OS settings for that like in Win 11)

[wavefunktion]

131. Track Presets should have the option to save with the routing

[csurieux]

@izak

125 Maintaining project hierarchy. (i.e. this project is a backup from, this project is a new version of, etc).

Thank you for renormalizing my text but this summary of my original suggestion is missing the tree view display of projects.
And concerning NKS, the term compatible is not exactly as accurate as asking media library to read AND play NKS library files.

[izak]

MASTER LIST

Please copy the list and add your feature requests at the bottom.

New Features

1. Sandbox plugins to prevent crashes.

2. Option to place the cursor on clicked point on event.

3. Option to choose all algorithms for VariAudio.

4. Audio interface attached to project, not to Cubase itself.

5. Save and restore ALL audio connections with one click

6. Set meters as VU meters (Logic)

7. Clip launcher

8. Support for CLAP (plugin format)

9. Automate last touched parameter.

10. Lyric track.

11. Global display zoom (similar to Ableton).

12. Minimize the risk of user preferences getting corrupted

13. Update expression maps

14. Rewrite VCA faders to have them function like proper VCA (and without bugs)

15. Implement an optional scroll lock on the upper track list when the track list is divided

16. Do not automatically add newly created channels to existing channel visibility configurations

17. Introduce a selection mem/zap (similar to zoom mem/zap) that stores and recalls selected tracks/channels/parts/events

18. Reconsider the graphical design of the mix console

19. Unlimited inserts and sends

20. Channel EQ with 8 filters.

21. Gate plugin with threshold lower than 60dB (synths have noise below that and its nice to hear full reverb tail).

22. Modulators controls to module other modulators.

23. Plugin Chainer: Merge effects. (Eg, Merge synths or effects like Waves StudioVerse)

24. Folder/ Group track merged into one.

25. Expression Maps overhaul. (including per articulation negative track delay).

26. Add expression map controls in the Logical Editor.

27. Digital Performer Chunks for larger film scoring projects.

28. Further/advanced Dorico Integration.

29. Muted events with a darker shade of the current color rather than white.

30. Combine multiple instruments into one rack and one midi and to have modulators control any parameter of any synth instrument in that rack.

31. Multi-band splits and parallel splits.

32. Always on top.

33. VU meter on tracks (similar to 10)

34. Nameable CCs

35. Option to disable Video Engine “enhancements”.

36. Left-click the title bar of the inspector for drop down color menu rather than Alt-Click.

37. Remove default automation parameters and have users choose their own.

38. Preset list: Select preset using up and down arrow keys

39. Using Tab to select the next instrument in the instrument list (Can apply to other drop-down items as well).

40. Multi-sequences each with independent tempo, time sig and video track, housed under one project file, like Digital Performer’s ‘Chunks’ feature.

41. Fixed height for folder tracks

42. Ableton style plugin containers with routing options for Parallel/multi-band processing on one track.

43. Pitch automation for audio clips.

44. Have an undo function for VST instruments.

45. Global undo/redo controls (not separate for mix console).

46. Add global modulators that can control parameters on different tracks.

47. Implement modulation assignment similar to Bitwig, where you can drag up or down to simultaneously set the modulation amount.

48. Make the modulation amount easier to control instead of a tiny bar.

49. Make ‘hide all automation’ behave the same as ‘hide automation’ but for all tracks, instead of resetting all automation visibility when reopened

50. Allow volume automation to ‘detach’ from fader, without having to automate a separate volume plugin

51. Always show parameter values, not just on hover.

52. Allow sample track to export slices to drum machine track.

53. Have automatic tail detection for bounces and Offline Processing, that extend the bounce range automatically.

54. Tightly integrated Hardware Midi Controller.

55. Full and proper Ripple Edit

56. Gain Reduction meters in Channel meters

57. Plugin Renaming (Similar to Studio One)

58. Missing plugins can be highlighted with a different color

59. Addition of a MIDI input transformer on every control in MIDI remote.

60. Addition of controller conditions (if mixer open and full screen, the midi remote controller activate the mixing page. If this instrument open, the controller reacts this way, control these parameters)

61. Double-click on volume faders/parameters to do something, input a valor, or reset to 0.

62. VST 2 Support

63. Negative articulation delay (Mentioned in 26)

64. Ability to control a modulator with CC sent from controller keyboard, fader, or knob.

65. Load plugins with a shortcut

66. Optional: Tabbed window for plugins on a channel, like in Studio One. (A tab that displays all insert plugins over the opened plugin, with which you can then open the plugins over it without having to go into the mixer and the new plugin opens in the same window. So you only have one plugin window open at a time)

67. Saving the modulators also includes the connection with the plugins

68. Improved Chord pads

• Editing of the notes, manually. Now you cannot double the root reliably, and often the arrow buttons for inversions limit what you can do.

• AI suggestion of progressions and alternative chords. Different genres. Adding a transition chord. Add prechorus and add bridge progression.

• Drag and drop of midi to pads to add chords. From desktop or from inside Cubase.

• Performance per pad. i.e., add riffs, ARPS, or strums to the pads, on a per pad basis. Also to have a note scatter and complexity function sliders for the performance

• Add/import chords from Chord pad preset, while keeping what you already have, including preview before adding.

69. Audio rate modulator.

70. Share modulator on multiple channels.

71. Midi Modulator.

72. A pattern editor suitable for melody (8 lane, live record per lane, with euclidean, random, glide, accent, pitch, velocity).

73. Song unmix on Spectralayers Go.

74. Efx containers.

75. Flatter GUI, simple and modern.

76. Full screen mode (Similar to Studio One).

77. Increase the number of MIDI sends.

78. MIDI Sends on instrument tracks.

79. Rack Instrument modulation.

80. Option to max out the control room level to 0.

81. Ability to drag lower zone all the way to the top.

82. Ability to zoom or go full screen for the drum machine.

83. Send drum machine samples to Groove agent using a button (similar to sampler track).

84. Easy export button of Drum Machine sounds sampled and synthesized.

85. Generative features of Pattern editor present in Key editor.

86. Ability to switch pattern editor to non percussion mode and randomized follow suit.

87. Ability to choose scale in Pattern editor within a Melody or musical pattern mode.

88. If 16 or 32 steps are selected, the pattern editor splits into halves for easier editing (like in Logic).

89. Ability to move sounds lanes within the pattern editor.

90. Size of pattern editor to follow the size of the lower zone.

91. Modulator matrix to be either in a straight line or within a square format

92. Modulators when opened in a larger editor take up the whole screen same as pattern editor and Drum machine.

93. A simple “collect all” option that pulls all audio into one folder with the project file after the initial save, without asking for a project name upfront.

94. Cubase shouldn’t force a new project directory if you’re just testing or listening to an audio file without planning to keep it.

95. Midi remote Support for mixing consoles such as Midas M32, Behringer X32, Allen & Heath, etc etc.

96. Bold text checkbox for track names.

97. Add automation lanes for multiple selections.

98. Gap-less audio Engine.

99. Automatic gain staging integrated on each channel with option to set up gain like -18db rms or -18LUFS or -10 peak level.

100. Encode video using high compressed codecs.

101. Shuffle at an arbitrary speed (e.g. 0.5, 1.2, 1.5) with the corresponding acceleration or deceleration of the video.

102. The focus of the upper zone remains on the events of the upper zone when copying events to the lower zone.

103. Hot keys for calling ARA plugins.

104. More convenient management of presets in Direct Offline Processing.

105. Ability to quickly call the last used plugin in Direct Offline Processing.

106. Add align (snap) only to the active track marker

107. More key modifiers in Editing-tool modifiers.

108. Lower zone: Option to change order of tabs (mixer, editor, drum machine).

109. Improved insert bypassing: Use mouse modifiers on insert slots, e.g. shift-Click for bypass plugin, CTRL-CLICK for disable plugin.

110. New Automation Track Functions

• Reverse, mirror, invert.

111. Option to set video render quality.

112. Beat Detective equivalent in Cubase.

113. Poly-rhythmic Audio, MIDI and Instrument tracks (custom time signature per track or notation staff).

114. Option to open the instruments inside the Pattern Editor, like in Studio One.

115. Enhanced playing techniques (restrictive and custom expressions as in Dorico)

116. Playback Templates (faster switch between various existing Instrument Templates, without closing Cubase).

117. Flows (similar to Dorico).

118. Divisi - Independent Voice Playback.

119. More Dorico like features to the Cubase Score Editor.

120. Ability to view song BPM before importing.

121. Ability to distinguish between empty tracks and tracks with data.

122. Previewing a screenshot of project like in Logic.

123. Ability to save a project report consisting of song metadata and track lists, instrument list, audio pool, .etc.

124. Comments and user tags for filtering projects.

125. Maintain project hierarchy and display corresponding trees of the various hierarchies. (i.e. this project is a backup from, this project is a new version of, etc).

126. Make Cubase instruments and their presets handle Native Instruments NKS libraries.

127. Cubase media library should be enhanced to read and play NKS libraries

128. Bigger inspector font size with an option to adjust the size.

129. Ability to select multiple parameters or automation.

130. Ability to control the behavior of the export menu target range. (option to set the range to what’s in the markers zone by default).

131. Sticky notes.

132. Track Presets should have the option to save with the routing

---

Fixes

1. Fix problems in Direct Offline Processing like not always generating a tail

2. Fix the Dialogue tabbing misbehavior

3. Fix flatten real time processing which mess up timing no matter the algorithm used.

4. Fix VCA channel losing its values upon reopening of project.

5. Fix the bugs in MIDI Remote

6. Fix batch flatten processing on multiple events which results in pops and whole parts broken.

7. GUI consistency across all menus. (media bay, media pool, preferences)

8. Legible text everywhere

9. Fix Scroll issues on Mac.

10. Fix Per note automation.

11. Fix clicks when cross fade events with various stretch algorithms used.

12. Support for light GUI mode (respect OS settings for that like in Win 11)

[izak]

Sent a newer one. Thanks for pointing that out.

[eric_vandenberk]

The new score editor is much more streamlined than the one in V13. I like that, however there is much room for improvement.

• respell notes (# and b)
• bars per system function, as in V13
• of course, many other Dorico functions.

[vyvyanhs]

• De-clutter the LH track inspector Basic and Routing panes, increase font size on most-used controls - MIDI channel and which instrument it’s routed to - and allow user to ditch the others. I never use track presets, MIDI panning, change patches, or drum maps! (Yes, YMMD, I know).

• Get rid of that silly ‘extend pattern?’ prompt in key edit mode.

[ozinga]

• Clear ‘‘Recent Files’’ List
• Global Solo Mute Toggle, instead of Reset.
• m4a import
• Reflect the disabled track (and its regions) in the arrangement too with similar paler color
• Export/Save Sample Track and Drum Track with samples to custom location (Like GA5 or Halion)
• Save Track Presets with drag drop to Mediabay or Media Rack. Also to a custom location.
• Right click option to move the selected track/s to a certain folder track.
• Drag midi event/s to an audio track for BIP with auto tail.
• Midi Notes stretch and strum in Piano Roll.
• Range select certain notes in Piano Roll to duplicate ( Currently only option is to select everything)
• Option to auto switch to the selected track’s VST instrument editor window while closing the previous one.

[wavefunktion]

• Track “Names” should dynamically expand and contract accordingly when resizing the track list instead of having a fixed “track name width” value in the track control settings.

• Track “Visible Controls” that are positioned next to the “Track Name” should always remain visible when expanding or contracting the width of the track list. Track “Visible Controls” that are positioned next to the Track Name should override the visibility of the Track Name.