Hello Alexis, thanks a lot for reaching out.
Unfortunately, my demo expired today so I really can’t try your suggestions anymore. Having said that, here’s what I think:
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Might be a sensible solution, it really depends on how fast or controllable it is. It’s worth a shot
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I got the zones thing, I messed with it and it’s a nice feature but I don’t think it solves the issue completely, although it has other very nice usages
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Visibility is a nice way to deal with it but I don’t find it very practical in Cubase. It’s a lot o clicks on the visibility tab to get what I want. If they had reflected the arrange area folders and their open/close state on the mixer I think I would be fine with it. Also, why the hell aren’t folders also buses??? At least optionally. It would be nice to have them as a purely organisational feature but why not having them function as a group optionally? Logic does this and it’s cool.
So you know, I use Studio One presently and a great thing they added is a filter tracks feature by name. If you type GTR, all tracks starting with GTR (GTR1. GTR2. Etc) can be handled in one go. I also added a macro to make them all visible/invisible and selecting a group of instruments is just one key command away. What I did for this to work is develop a naming scheme where each track related to a certain instrument (or bus, or FX, whatever) starts with something like “g.” for guitars or “v.” for vocals to make the filters work as I want them.
- The various mixing console views are amazing and I could see myself using them a lot.
However, as much as this is hard to believe, the mouse wheel thing - the purpose of this thread, is my main peeve with Cubase. Mind you, annoyingly, Studio One also has this thing going on, and a lot of people in the PreSonus forums also ask for it to be optionally turned off, but so far, no dice…
There are also a few other small thing in Cubase that I really don’t get. For example, you can copy one track’s inserts and copy them to another track, but not to multiple tracks. Why??? I found the interaction between Q-Link/Link/Track Selection thing in Cubase confusing. I don’t really see a consistent pattern for actions for selected tracks. Some thing work in tandem when tracks are selected, others don’t. It’s weird. The Link thing is amazing with all the synchronised stuff you can do with between the linked tracks but in my mind, if I select a bunch of tracks and I act on them it’s because I want something to happen to all of them.
In S1, if for example I want to copy all the inserts to multiple tracks I just select then and drag from the top of the track that I wish to copy from to any of the selected tracks and they all get the inserts from that track. I can do the same with sends.
All in all, I prefer the way Cubase looks - everything is big and spacious while Studio One has a lot of information on the same screen, everything is kind of small and becomes tiring and confusing easily. The takes system in Cubase is also better, the multitrack drum editing is really nice (Studio One is OK also), but in general, visually and in terms of functionality, I was really enjoying Cubase, but the small things I describe make it a no-go for now, but I’ll certainly keep paying attention to what’s going on in Cubase-Land because there’s a lot to admire in it.
Also I had some stability issues with Studio One that started to make me look into Cubase but I didn’t have the time to do a heavy session in Cubase to compare it to S1 in this regard.
Sorry for the long post and thanks once again for your help!