honestly, I think for our purposes and the popularity and use this adventure will get, I don’t think it is a big deal. I find it unlikely to cause a conflict, seeing that it is an educational venture with a small user base.
I’m certainly not an attorney, so maybe I am out of line. But it doesn’t seem like this is a threat to anyone else business.
Why the need to be clever/catchy? It’s not creating a brand, it’s a reference site. And most, if not all users will find it from this forum. Once bookmarked the name is irrelevant.
DoricoFiles or DoricoLib or DoricoClub would do fine.
We can’t allow any third party site to use our trademarks, I’m afraid, so “Dorico” cannot appear in the title of the site. (This isn’t my policy, and I’m not a lawyer, but there are good reasons for this policy.)
This is a tricky grey area for us, and one that I am not going to push with the higher-ups for us to get involved in. We certainly don’t want to stand in the way of this effort, but we also do not endorse it.
Yeah as @Janus said, the site name isn’t a big deal. It’s totally fine to put something in the site byline like “Here’s where we share Dorico files,” or something similar. So there’s no need to wade into copyright requests!
Just asking - say I started the ‘Australian Dorico Users Group’ with a website. Would Steinberg issue a takedown order? Seems harsh and counterproductive. And what would I call it?
This is tangential, but the thread prompts me to pass on a thought I had a while back about crowd-sourcing a complete edition of D. Scarlatti’s keyboard sonatas, since there doesn’t seem to be one from any of the publishing houses.
My thought was to syndicate with Finale & Sibelius users, since greater numbers of contributors would obviously make the task go faster, if not necessarily smoother. That would require a lead editor, or a small lead-editorial group, and peer reviewers, to ensure uniform standards across the project. Other hazards besides… just wondered if anyone has thoughts?