That works with a Strat and a 68 Custom Princeton, and is more equivalent to using Archtype Cory Wong or any of the numerous standalone Guitar Amp simulators.
… but good luck with just plugging in and away you go when entering Abbey Road Studios to record, produce, mix and master a song.
Because that’s what Cubase is.
I assume you had found this older thread with video and link to Maschine Mk3 templates:
However, there’s every chance that those Maschine Mk3 templates don’t fit your exact workflow needs. – I’ve even changed mine several times since originally posting them, because my own workflow ideas are continuously changing. So grabbing pre-existing templates maybe saves a little work, but not all the work.
So plug and play just isn’t a realistic expectation, I’m afraid.
Recording and publishing music never really was. So you either hire people who know how to do all of those different things that it takes - or you bite the bullet and learn and do that wide variety of things beyond playing an instrument. Or you are that amazingly great that someone else gives you a bunch of money to come and “just plug and play” to an environment with experts that operate all of the required gear. And even if you have all of that, you still need to figure out how to communicate with them what’s in your musical head.
With Cubase, those of us with the enthusiasm to learn and do, we can do that for a lot smaller investment than building or buying or renting Abbey Road Studios.
And I think that’s pretty damn cool.