available in the palette on the left, and it is labelled unstessed. I have never seen this in sheet music. I am curious if any of you use it, and if so, in what circumstances.
There is no problem here. I am simply hoping to learn something.
Thank you, @jesele! Double-sharp and double-flat would seem like a better use of space, as noted in the thread you linked. It’s odd that we have to hunt for those.
Oh, Duh! I never really paid attention to that! I would have expected to see that as a jazz figure (a dip?) in with the other ornaments! I guess I learned something new today, too!
It’s used regularly in the scores of Schoenberg and Berg. In the ‘Explanation of Signs and Abbreviations’ for the 1958 edition of Moses and Aaron it’s defined as ‘unaccented, like a weak beat’. The musicians I know mostly do seem to understand it.
Here is a page from Moses and Aaron showing both the unstressed mark and it’s opposite which looks similar to an acute accent. (This slightly odd short score was how the opera was first published after Schoenberg’s death. There is a more conventionally laid out score available now.)
If you’re working in a key like B major, and you play F#, G, G#, then Dorico will assume the “G” is an Fx. (And if it doesn’t, then it’s an enharmonic change.)
I rarely, if ever, use the actual accidental icons or keys.
Without a MIDI keyboard, then perhaps having dedicated keys for doubles would be slightly faster, I’ll agree.