Paolo,
Did you ever figure this out?
I am just beginning to grapple with Percussion Maps for VSL Synchron Percussion 1, and right away I realize that this is not as straightforward as I had imagined.
As you indicated, with VSL Percussion there are in one Synchron Player preset:
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Variations in the instrument itself.
For example Piatti has two different sizes of cymbals, 16 and 18 inch.
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Variations in the beater used to strike the instrument.
Sticks, hard mallets, soft mallets, rods, brushes and bow.
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Variations in the type of hit (via.
Single hits, rolls, crescendos, diminuendos.
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Variations in the location where the instrument is struck.
Top, edge, bell shaft, bell tip.
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Variations in the strength of the hits for rolls.
Crescendos and diminuendos have strong and light variations.
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Variations in the duration of rolls for crescendos and diminuendos.
1, 2, 4, 6 and 8 seconds
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Variations in RS for rolls (will have to look up what that refers to).
Long and short.
All these have specific mappings across the MIDI note range to different patches in the Synchron instrument.
This is just the VSL complexities. The Dorico complexities are an additional layer.
Notation and playback, correlation with defined Dorico instruments, correlation with playback techniques (I am familiar with creating custom ones, so that is not a problem), various staff presentations (single line, 5-line, and regular staves), notehead design (which is optional and need not concern me up front).
You know all this, of course.
I’ve read some threads attempting to deal with all the complexities, and there was a very helpful explanation by Daniel in 2019, but my bewilderment is not dissipated. Some people suggest one can combine the use of Expression Maps for the selection of cymbals and beaters with a Percussion Map for the other variations, while others seem to suggest this does not work.
I am having significant success with my own custom Expression Maps for regular instruments, but I’m faced with the fact that unpitched percussion is a whole different ball game.
My next step is to see if the VSL-created maps offer some insight, but I’d love any perspective by others who have traveled this path before and either did or did not succeed.
EDITED TO ADD:
Okay, I see that the VSL-created Percussion Maps do indeed provide some sort of road map. But they use individual maps for variations in the instrument itself, in the case of Piatti it would be a separate map for 16" and 18". And that does not take into account the variation in beaters.